Details. New York : Metropolitan Museum of Art ; New Haven : Yale University Press, 2001. Artemisia Gentileschi’s Judith and Her Maidservant Slaying Holofernes. This picture by Artemisia Gentilleschi of Judith slicing off Holofernes' head is thought to have been painted shortly after she was raped by the painter she was studying under. She lights the figures dramatically and plunges the backgrounds into … Wadsworth Atheneum Wadsworth Atheneum, Hartford Connecticut . It was then purchased by Leslie H. Green in the same year of 1952 and gifted to the Detroit Institute of Arts in Michigan. I would gladly own it and have it in my home. https://www.khanacademy.org/humanities/monarchy-enlightenment/baroque-art1/baroque-italy/a/gentileschi-judith-slaying-holofernes. Location: National Museum of Capodimonte, Naples, Oil on canvas. Gift of Mr. Leslie H. Green, 52.253. https://www.wga.hu/html_m/t/tiziano/10/1/04udith.html. This is another version of the biblical story of Judith and her maidservant with the head of Holofernes. She was the daughter of the painter Orazio Gentileschi, and was trained by him. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome. At the time Cranach painted this portrait of the heroine, he had been working as court painter to the elector of Saxony for almost twenty years. Museo e Real Bosco di Capodimonte Italy . Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The maidservant who helps pin Holofernes down. She holds up her hand to cover the bright light in front of her eyes so she might see into the blackness. Judith (the woman in yellow) is shown alerted by a noise off-canvas as her and Abra (the woman below) are in the process of fleeing Holofernes’ tent. Who inspired Gentileschi? Personally I much prefer Artemisia’s Judith, as she is depicted with strength and courage, having cut off the head of Holofernes, she is facing another possible threat head-on. The immediacy and perilousness of their situation is clear, and yet Judith is standing, fully facing into the night and to what might be lurking. In doing so, she has saved Israel from its oppressor. This impressive composition ranks among the masterpieces executed by Artemisia Gentileschi, daughter of the painter Orazio Gentileschi and a strong woman who, against all odds, established herself as a respected painter. Medium: Oil on canvas Dimensions: 158.8 cm × 125.5 cm ((6′ 6″ X 5′ 4″) 78.33 in × 64.13 in) ‘Judith with the Head of Holofernes’, Elisabetta Sirani (1638-1665) circa 1660. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Fichier:Orazio Gentileschi - Judith and Her Maidservant with the Head of Holofernes.JPG. Gentileschi's Judith takes its subject matter from the biblical story of Judith, an Israelite widow who volunteered heroically to rescue her people from the Assyrian general Holofernes. Judith and Her Maidservant with the Head of Holofernes. In one of her other paintings, Gentileschi painted the actual moment of the beheading in all its bloody glory . Artemisia Gentileschi was born on July 8, 1593 in Rome. Judith and Her Maidservant with the Head of Holofernes.

Abra's eyebrows are curved down in a tense expression with perked lips while looking over her left shoulder. This work evoked a strong emotional interest for me, whereas the Renaissance work made me recoil. She suffered through a long and painful trial involving invasive gynecological examinations and thumbscrews (“Artemisia Gentileschi”). Holofernes was an Assyrian general who was about to destroy Judith's home, the city of Bethulia. This is a theme often used as a symbol of virtue. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome. The primary color triad is well-balanced and pleasing to the eye, with a gold gown in the center symbolic of triumph. Judith has returned to Bethuliah, and now draws the head of Holofernes out of the sack her maid has carried. File:Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi.jpg; File:Orazio Gentileschi, Artemisia Gentileschi - Judith and her Maidservant with the Head of Holofernes - NG.M.02073 - National Museum of Art, Architecture and Design.jpg; Category:Judith and her Maidservant by Artemisia Gentileschi Inv. She learned techniques and made them her own. 1470–1531) Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) Date: 1500–1530. ( Log Out /  Judith and Her Maidservant with the Head of Holofernes, ca.1623-1625. Explore museums … ‘Judith with the head of Holofernes’, Titian, 1570. The heat radiating on her body from the candle. This was painted while Gentileschi had the patronage of Duke Cosimo II (“Artemisia Gentileschi”). The interpretation of Judith may be the correct one, and is confirmed by the 1533 record of a painting by Titian, titled Judith, in the collection of Alfonso I d’Este. Located at the Detroit Institute of Arts, the The whereabouts regarding ownership before this time are unknown. ( Log Out /  1630s Change ), “Caravaggism (C.1600-50) Painting Techniques used by Caravaggio: Chiaroscuro, Tenebrism.”, Fletcher, Elizabeth . While it was known that Artemisia personally knew Caravaggio, by no means did she imitate him. Gentileschi’s artistic skills gained patrons of royalty including Cosimo de’ Medici, the grand duke of Tuscany, and in 1627, she received a commission from King Philip IV of Spain (“Artemisia Gentileschi”). As in this painting, one may recognize the techniques of Carravaggio, primarily the use of tenebrism, while the added use of primary colors are without a doubt, instilling a new form belonging only to Artemisia Gentileschi (Caravaggism Painting Techniques). The affect of the subjects in the Renaissance portraits feel flat in comparison. Every canvas print is hand-crafted in the USA, made on-demand at iCanvas and expertly stretched around 100% North American Pine wood stretcher bars. She included in her circle many artists, writers, and thinkers, as well as the renowned astronomer Galileo, and the Grand Duchess, Christina of Lorraine (“Artemisia Gentileschi”). __|a Christiansen, Keith and Judith W. Mann, Orazio and Artemisia Gentileschi. Artemisia gentileschi, giuditta e la sua serva con la testa di oloferne, 1623-25 ca.jpg 2,010 × … … It is simply my most favorite piece because the emotion that is expressed tells an entire story. The painting was in possession of Prince Brancaccio in 1952, where it was co-owned by Alessandro Morandotti of Rome, Italy, and Adolph Loewi of New York. The one you have in her best known works is the 1620 version and is actually in the Uffizi Gallery Museum in Florence. Hi Risa, In this painting I see luxuriously flowing lines of richly draping fabrics in colors of crimson-red, yellow-gold, and violet-blue contrasting against the dark background. The heavy texture of the draped fabrics. Annie, I love Artemisia’s work too. This is a theme  often used as a symbol of virtue. The narrative is taken from the deuterocanonical Book of Judith, in which Judith seduces and then murders the general Holofernes. $16. The Assyrian general Holofernes, who wished to destroy the Jews of Bethulia, became enamored with Judith, a Jewish widow. ), Width: 73 cm (28.74 in.) The Old Testament heroine Judith succeeded through her courage and cunning in entering the tent of general Holofernes at his camp outside the city of Bethulia and in seducing and then beheading him, thus ending the military threat against her people. Judith Beheading Holofernes, 1614-1620 Painting. What was she the first female artist to join? I can feel the stillness in the air in that moment. Judith and Her Maidservant with the Head of Holofernes ... Media in category "Judith and Maidservant with Head of Holofernes by Artemisia Gentileschi (69)" The following 2 files are in this category, out of 2 total.

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